A series of my favourite images, from my first 15 years as a professional photographer (2002 - 2017).
A series of my favourite images, from my first 15 years as a professional photographer (2002 - 2017).
The Dapto Chaser is one of those shows that will stick with me for years to come.
For me, it's great when I have the opportunity to be involved with a production at several points along the way, from the initial publicity images through rehearsals and onto the stage itself - getting to know the production, as well as the cast and crew, as we get closer to the opening...
Today's image is a funny one - and a little different to most of the others. It's one I'm fond of nonetheless, which is why it made the list of course!
What looks like a random collection of glowing orbs is the out of focus blur of a number of coloured lights, suspended under the awning of the Museum of Contemporary Art during Vivid here in Sydney, in 2014...
This image marks a new beginning in my career to date, as it's the first production photography I did in Australia after relocating to Sydney in December 2012; fortunately for me, it was also a really great production, both in terms of how it looked in the images, and how it played out on stage...!
Belvoir's production of Angels In America is one I've written about before, and one I'm always happy to have another look at; so it's not so surprising that this image is one of my favourites from that year. Really, the hard part was choosing just one moment from the show...
Once in a while, an image comes along that doesn't fit my usual ideals, but still works, and suits the show. This one - of Irish company Pan Pan's production The Rehearsal, Playing The Dane - was a matter of being ready for the unexpected...
This week's image isn't just one of my favourite images, it's one - by virtue of Eleanor's own success - that has been reused & reprinted far more than anything else in my career to date.
Of course, it's impossible to know the actual number of copies of this image; but I've seen estimates that the book sold 560,000 copies (with one copy of the image in the back of each of those); plus, the image appeared in countless media around the globe when she made the long list, then the short list, and then won the Man Booker Prize in 2013 - so I can scarcely guess the number of printed copies of all of those newspapers!
It's always tough to choose a single image from a New Zealand International Arts Festival - after all, I photographed for 24 days straight, usually working 17h days; so there are a few to choose from!
And 2010 was a particularly good year, between visiting companies and New Zealand works; but somehow I come back to Red Leap Theatre's production of The Arrival often, when I'm thinking about that festival. It caught me by surprise, I think - in the same way Giselle did two years earlier, I came into rehearsal not knowing much about the show, and came out a fan of the company...
I started this series with a photo of a saxophone, taken at the Wellington Jazz Festival - and here we are again, seven years later!
This one's the polar opposite of that first image in a lot of ways, though; the original was blurry, slightly abstract, a little bit out of control, where this one is a clean, crisp silhouette, and, facing the opposite direction...
If you've visited my website at all in recent years, you've probably seen this one already! Taken at a rehearsal for Fabulous Beast Dance Theatre's production of Giselle at the New Zealand International Arts Festival, it's been one of my all-time favourites for almost a decade now.
As with so many of my favourite images, it doesn't explain itself - but with a graphic shape and strong colour (if not quite clean lines), it lures you into wanting to know more...
It's strange to have a photo where I'm actually IN it, along with the subjects - that's not usually what I'm aiming for! But this time, I didn't mind - I was just part of the audience in the concert, and I'd preset the camera on stage at interval, with a wireless trigger and my sound blimp...
To me, there's a lot to like in this week's image, from Tan Dun's opera Tea: A Mirror of Soul at the New Zealand International Arts Festival in 2006; it's simple, clean, and graphic.
And yet, at the same time, there's something mysterious about it. Like the best production images for promoting the arts, it raises more questions than it answers...
I've written about the short film Dead Letters before (here, here, and here) - but I couldn't go past this image of Yvette Reid when I was looking through some of the work I'd done in 2005.
I hadn't worked on-set as a stills photographer before (though I'd been an extra on Lord Of The Rings and a few TV series & commercials before that, so I had at least some idea how it would work); but I really wanted to commit to this production, to see what full days on set would be like and whether I could both stay out of the way of the crew, and get what the producers needed...
2004 was the year of my first New Zealand International Arts Festival as the official photographer (I'd been a box office manager, followspot operator & lighting technician in previous years); and while there were a number of images I really like from that Festival, this one still grabs me the most, I think.
This was also my first time photographing traditional Maori Kapa Haka performance...
I wrote a few months ago about the first Lord Of The Rings premiere at the Embassy Theatre in Wellington, and I'm sure I'll be looking at the Two Towers one again in December; but this image, as much for what it represents to me as anything else, has made it into my First XV list - celebrating fifteen years of my career, photographing the arts.
I'd photographed the previous two premieres by the time of the third one, and seen the crowds on the street (and in the media pen) grow exponentially each time; but I think, perhaps because I was still fairly new to the industry, I was still a bit shy, a bit hesitant about being elbow-to-elbow with the world's press in a tiny fenced area.
Don't get me wrong, I planned ahead and got there early, to make sure I got a good spot! But this time was different...
I realised recently that I had an anniversary coming up - not one of the obvious ones, but a quiet anniversary that I'd likely to be the only person to notice.
At the end of May 2002, I took the decision to give up my other work - I was doing about three different jobs at the time, working with a lighting company in theatre and events, helping the local film office, and doing a bit of consulting as a former box office manager as well - to concentrate completely on my photography career, which was starting to occupy more of my time.
Fifteen years later, I'm still at it - so to celebrate, I thought I'd look back and pick one image from each year along the way. And let's not underestimate how hard that is, to go through an entire year's work and choose just ONE image - but sometimes tough choices are needed...
In some ways, this final image was the hardest to choose - probably in part because the work I've done most recently is so fresh in my mind, but also because I think I've been doing a lot of good work in the last year! If I can be allowed to say so myself. (Hey, it's my blog, okay!?)
Having already posted my favourites of 2016 at the start of this year, it shouldn't be a big surprise that my favourite image is one that was on that list - from Handel's Theodora, the Pinchgut Opera production at City Recital Hall in late November...