It's strange to have a photo where I'm actually IN it, along with the subjects - that's not usually what I'm aiming for! But this time, I didn't mind - I was just part of the audience in the concert, and I'd preset the camera on stage at interval, with a wireless trigger and my sound blimp...
Read MoreOnce, early in my career, someone gave me wise advice about photographing events: 'remember, there are two sides to every story. There's what's happening on stage, and then there's the audience's reaction to it.'
Naturally, not every event I work on has an audience in attendance - often, I'm at a dress rehearsal, with only the director & crew - but also, most of the time, the audience (deliberately) isn't lit! So the opportunity to make use of this suggestion isn't always there; but once in a while, the chance comes along, and it's great to be able to take it...
Read MoreI was Orchestra Wellington's photographer from 2004-2011, documenting concerts and rehearsals for them with a range of guest soloists alongside music director Marc Taddei, a marvellous conductor, and a hilarious guy to work with, too.
In 2007, General Manager Christine Pearce got in touch to say they were working with a circus school on a kids' concert, and would I like to photograph it for them - naturally I was intrigued, but I'm not sure I expected THIS! Sure, why wouldn't you put hundreds of thousands of dollars' worth of delicate instruments on stage with a flying trapeze, kids on unicycles, and stilt-walkers? What could possibly go wrong...?
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